It’s finally here!
That’s right. If you haven’t heard, Muse’s latest album is out and available for purchase and streaming on Spotify and Spotify Premium. I wrote about my favorite music in an earlier blog post which was about Muse being my favorite band to listen to. I and many others have been waiting for this new album for a while now.
After listening to the album two times and reading the lyrics online, I have a greater understanding of what this album as a whole is all about. It is one of those instances where I would highly recommend listening to the entire album and following along with lyrics, if they are hard to understand at times, because Muse has a way of putting so much thought into each of their albums and this one is filled with so many subtle nuances that it would be extremely hard to recognize a lot of them if you do not read deeper into the lyrics of each song.
There are twelve tracks on the album. Two of the tracks are dialog and they each act as an intro to the songs that they precede. Track two, Drill Sergeant, is the intro to track three Psycho. In Drill Sergeant, the dialog is of a drill sergeant giving instruction to a recruit. The track is supposed to represent the military recruiting individuals that they can break and turn them into “a f**king psycho” that will follow and command given and not questions it. For example, being told to kill someone and not thinking twice about it.
In tracks seven and eight, JFK and Defector, the “f**king psycho” depicted in tracks two and three is now beginning to think about what he or she is doing and is beginning to question everything they have been ordered to do and is now becoming a defector.
The Globalist is the penultimate song on the album and it’s also the longest song on the album at just over ten minutes. This song and the final one on the album, Drones, ties everything in the album together. The Globalist is also the long awaited sequel of Citizen Erased from their 2001 album “Origin of Symmetry”, which is about the rise and fall of a dictator or person of power. In The Globalist, the betrayed, is a person that has risen to power and is about to crush all of his or her protagonists that are trying to overthrow him by the most extreme measures. In the middle of the song after the line, “I have given you the code”, you hear sound clips that are played at a faster speed and they sound inaudible to make out. Supposedly, Muse embedded a code in this song. If played backwards at a slower speed, you will be able to hear a line from each of the previous songs on the album. After that happens, a countdown is played and the mood of the song shifts as the dictator realizes he’s destroyed everything and there is no one left to love and now he is alone. One of the things I love about this song is that Matthew Bellamy uses parts of Edward Elgar’s Nimrod Variatons in the music.
Drones, the final track of the album is the most unique in that it is entirely a Capella singing by Matthew Bellamy himself. It’s in a four part descant style and the lyrics to the song are very dark and somber and it creates an almost eerie tone to song. At the end of the song, Bellamy ends the album on a plagal cadence by singing “amen”.